Workshop: Paper Ornaments with Mollie Greene

We're so excited for our upcoming crafting class with the amazing Mollie Greene of Royal Buffet and Sweet Paper Crafts. Mollie's fanciful paper lovelies never fail to delight, and now she's going to show you how to create wonderful ornaments for holiday gift giving, tree decorating, or present topping. All the supplies will be provided (vintage papers! glass glitter! and more!), just bring your own pair of scissors. Mollie has nearly 20 different ornament styles ready for you to create, see how many you can make!

WHAT: Paper Ornaments WHEN: Thursday, November 14 from 7 – 10 pm WHERE: Cowork, 1040 W. Washington Street, Greenville SC 29601 COST: $25 REGISTER HERE

DETAILS:Come for a fun evening of handcrafting original paper ornaments using vintage and antique papers, German glass glitter, tinsel, crepe paper, string, and more. Each participant will leave with the ornaments they create throughout the evening, and their own set of templates to take home for more holiday paper merrymaking.  All paper finery and other supplies will be provided, but we suggest bringing your own sharp scissors along with you. Mollie will be guiding you through the ornament making process as well as offering paper crafting tips and tricks along the way.

Here's a little peek at just a few of the ornament styles you'll learn to make:

These paper ornaments are so much fun to make and even more fun to give. They make the perfect gift for teachers too!

You don't want to miss this crafty evening with Mollie, it's going to be swell. Grab your friends and register here!

It's time to make stuff!

Our first few workshops have been a fabulous success! Here's what's coming up next...

Paper Ornamentswith Mollie Greene of Royal BuffetThursday, November 14 from 7 - 10 pm

Winter Wreathwith Julie Dodds of Willow FloralsTuesday, December 3 from 7 - 10 pm

Learn to Knit with Deb Potter of Merciful Hearts FarmThursday, February 6, 2014 from 7 - 10 pm

iPhone Photographywith Jivan Dave March 2014, more details to come

Succulent Terrariumwith Amy Walchers of Urban Digs Tuesday, April 8, 2014 from 7 - 10 pm

Bookbindingwith Cindy Leaders of Useful Books May 2014, more details to come

Homebrewing 101with Ben Alier and Grape and GrainsJuly 2014, more details to come

These classes fill up quickly, so register before it's too late!

The Ethics of Craftsmanship

When Lisa Congdon wrote "My Art was Stolen for Profit" earlier this week, we were outraged on her behalf. Several pieces of Lisa's art were reproduced without her permission by the wholesale supplier Cody Foster. Lisa is not only pursuing legal action, but she publicly called out Cody Foster and has garnered a good deal of support in her efforts to share the story. In every industry there are knock offs, but the craft world seems to be especially plagued by this phenomenon. Whether it's an artist creating work that's uncomfortably close to another artist's or DIY tutorials about how to make something just like what so-and-so sells, the disrespect for creativity is the same. In this instance, Cody Foster regularly purchases items from independent artists and then resells a mass-produced version of the item to retailers. The revelation that Cody Foster has done this for years is maddening, and yesterday it got even more personal for us.

Sarah Mandell of Once Again Sam shares our hometown of Greenville and is an Indie Craft Parade alumni. Her felted curiosities are playful, unique, and take hours to create. This year, Cody Foster is selling owl ornaments almost identical to the needle-felted owls Sarah has been selling for the past three years at our events and many others across the Southeast.

image via indieripoffs

Today, we are officially joining Lisa's cry to spread the word and stand up for independent artists. Let your local retail shops know that Cody Foster has made a habit (and a business) of ripping off artists, most of whom can not pursue any kind of legal action. Write an email to retailers you frequent, or if you're a shop owner and have access to the Atlanta Market, stop by Cody Foster's booth in person and politely let them know your purchasing dollars will be spent with companies who respect artists.

Fast Company states it well in their article: "A wholesale company like Cody Foster might not fear lawsuits, but it can be imperiled when consumers start telling their friends and complaining to the big companies that buy from wholesalers."

Handlettered by Justin Hall for the 2013 Indie Craft Parade

We were thrilled to see retailers like West Elm and Fab drop Cody Foster wares in a show of support for artists, but there is still plenty we can do. Indie Craft Parade has reached out to our retail contacts about Cody Foster and we encourage you to do the same.

Lisa's post, among other revelations in the past few weeks, has confirmed in our mind the importance of education when it comes to ethical choices in the craft world. As a result, we will be including this topic in our 2014 Makers Summit lineup, addressing issues like inspiration versus copying. Plagiarism isn't tolerated in the academic world, and we don't think there's any reason the line should be blurred in the art realm.

Holiday Display Workshop with Anthropologie

We're excited to announce another fun Greenville event coming up very soon! We've teamed up with our Anthropologie store to spread some early holiday cheer in our community! Keep reading for more details.

More about the evening from Anthropologie:

Join Indie Craft Parade and the Anthropologie visual team to prepare shimmery baubles and paper festoons in preparation for the holidays. Each workshop attendee will help to craft a store display as well as a handmade treat to take home. We'll craft garland and ornaments from magazines, cardboard, caps, tassels and straws, all in the spirit of creating the extraordinary out of the ordinary.

Learn about Anthropologie's unique aesthetic vision, handmade craft and what's in store for the holidays! All materials and tools will be provided.

The event is free, but you do need to RSVP because space is limited! Email anthroevents@anthropologie.com to reserve a spot.

Date: Tuesday, October 22, 2013 Place: Anthropologie: 1 North Main Street, Greenville, SC 29601 Time: 6-9 pm Cost: Free, but RSVP is required

Recipe for Press Workshop Recap

This past weekend, we hosted the first of our 2013-2014 event series, a DIY PR workshop with Amy Flurry. We met Amy at last year's Makers Summit and it didn't take us long to realize that artists and small business owners need to hear what she has to say. We were excited to bring her back to Greenville for this event.

Amy wrote a book called Recipe for Press and gave our group insight into how to think like an editor, sharing habits of people who get press. She also introduced a very cool tool called the Pitch Wheel to help keep track of when to send material to editors who are typically planning content months ahead.

photo by Miss Wyolene

One of our favorite quotes from Amy's workshop: "If you only pitch, but don't follow up, you've only done half the job."

Be sure to like the Recipe for Press Facebook page for more tips from Amy and check out the next few events in our lineup so you don't miss any of these great educational opportunities.

Thank You for another great show!

This past weekend was a blur, and it's still hard to believe another Indie Craft Parade has come and gone! With 6,500+ attendees throughout the weekend, we think it was our best show yet! In case you missed it, one of our sponsors, Sam Windell, put together a really fun event video for us!

Things that were new this year: · More space! For the first time, we had two floors of artists.

· A fitting room. (not pictured) · Our giant logo sign. Which inadvertently became a fun photo backdrop.

· New food and drink vendors. · Sponsors on-site. We were so excited to have both Etsy and Spoonflower join us at the show this year. They sponsored a special Meet & Greet party just for our artists! And we had a special guest show up from MailChimp.

And as always, our show wouldn't be possible without our talented artists, our volunteers, our sponsors, and the fans of handmade who patiently wait for their turn to see what we've all been working on for the past few months. Thank you all so much for another great year!

What was your favorite part? Handcrafted popsicles? The free photobooth? Tattly tattoos? Handmade goods as far as the eye could see? And don't forget to check out #indiecraftparade on Instagram to see what people loved most.

Feature Sponsor: Greenville Journal

Our media sponsors play a key role in helping us spread the word about Indie Craft Parade. Today, we’re introducing one of these valuable partners: the Greenville Journal. Besides their reputation as a source for important Greenville and Upstate news, the Journal is the place to go for details on community events, small business introductions, and cultural news including music, art, and festivals.

Currently the cover story for the Greenville Journal is the new development in the Village of West Greenville, the hub of Greenville's art community. If you haven't heard, West Greenville has recently undergone some exciting rebranding and new development. Every time we look we learn of new studios, shops, and even restaurants opening or relocating to West Greenville. And we're so excited to see this group getting more exposure from the surrounding community.

Also, keep an eye out for the Indie Craft Parade ads in upcoming issues. As you spot them, snap a photo and tag us in Instagram.

Volunteers needed!

Indie Craft Parade is only a month away, and we need your help to spread the word far and wide! This Saturday, we'll be hanging Indie Craft Parade posters throughout Greenville, and we've got several ways you can get involved:

1. Bring a friend and meet us this Saturday at 10am in front of The Peace Center, at the corner of Main and Broad Streets. Together we'll cover downtown.

2. Take posters to another area, near or far. We could use your help reaching other parts of Greenville, or nearby cities. If you can help, posters will be available for pickup at Dapper Ink.

3. Download and print your own poster to hang at your desk, in your dorm room or your place of work! Or email it to friends and family members.

4. Spread the word with or without posters! Tell everyone you know about Indie Craft Parade and the upcoming festival.

PoWhen you see this year's posters, you'll notice another one of our wonderful sponsors, Graphics Now. Graphics Now has donated poster printing for us several years now, and they never fail to impress us with their quality and turnaround time.

Whether it's local businesses like Graphics Now or our volunteers, we are incredibly grateful for the ongoing support of our organization and our mission. We couldn't do it without you!

Etsy Global Craft Party

It's time for another Etsy Global Craft Party, this time hosted by our local South Carolina Etsy Team!

If you aren't familiar with the Global Craft Party idea, the goal is to get people around the world making things 'together'. This year's party is happening next week, on June 20, from 6-8pm.

Etsy explains the idea for us: In a nutshell, Craft Party is a celebration of meeting and making, of creativity and community. It’s a time to meet your neighbors and share a creative skill. It’s a time to have fun and party down with your favorite craft supply in hand.

Our local Etsy Team will be hosting next week's party, and if you have an Etsy shop or are thinking about setting one up, you'll want to meet the ladies behind the team! Not only can they answer your Etsy questions, they regularly post helpful resources and links in the Etsy Discussion Forums, so be sure to check them out.

They describe the Greenville Etsy Craft Party as: a casual get-together where you can bring your own craft(s) to work on with other local crafty peeps! We'll also have a craft supply swap (bring some supplies to trade/leave in order to take some new ones home) and shop critiques at the Greenville event!

Here are the details:

Date: June 20, 2013 Time: 6-8 pm Place: Oriskany Glass Studio, 1112 Rutherford Rd Bring: your own craft to work on, craft supplies for trading RSVP here.

The good news is that even if you're not in the area, chances are there's still an Etsy Craft Party near you. Visit the Craft Party site to find your local party!

Applications are Now Open!

We are officially accepting applications for the 2013 Indie Craft Parade!

Applications must be submitted before midnight EST on June 23, 2013 so tell all your creative friends and family members. If you have any questions about who can apply or what kind of handmade goods we're looking for, check out our Participant FAQs and then apply here!

Furniture Makeovers Launch Party

We'll be introducing our 2013 jury very soon, but in the meantime, we want to share and celebrate a huge accomplishment by one of our previous jury members and a longtime supporter, Barb Blair. We select each Indie Craft Parade jury member because of their involvement in the Greenville art scene as well as their contribution to the creative community at large. We think these folks have a lot to offer, so we're thrilled when they get recognized well beyond the scope of our city. This weekend, Barb will be celebrating the release of her first book, Furniture Makeovers, with a book party at her studio. The celebration starts Friday at 5pm, complete with amazing freebies for the first 100 guests in the door! Check out all the event details here.

If you're not familiar with Barb or her work, she specializes in redeeming found goods and furniture, often giving discarded pieces new life. More about the book from Chronicle:

Furniture Makeovers shows how to transform tired furniture into stunning showpieces. You’ll never look at a hand-me-down dresser the same way again! The book offers 26 easy-to-follow techniques that can be applied to all different types of pieces, from bookshelves to desks: painting, applying gold leaf, wallpapering, distressing, dip dyeing, and more. In addition to the core techniques, author and Knack Studios founder Barb Blair shares 30 beautiful before-and-after makeovers from her studio and outlines how to achieve each look. With helpful step-by-step photographs, a visual glossary explaining all the tools and materials needed, and a lovely contemporary aesthetic, Furniture Makeovers is a treasure trove of ideas and instruction for the home decorator.

Join us at Knack Studios this Friday to see Barb's work in person and celebrate with one of Greenville's many creative entrepreneurs!

Craft night workshops hosted by the SC Etsy street team

Listen up, South Carolina Etsy Shops! There is a special event, just for you, organized by the SC Etsy Street Team. On April 27 in Greenville, SC and on May 11 in Charleston, SC, the Etsy Street team will be hosting workshops to benefit fellow Etsy shops. Each Craft Night Workshop is an opportunity to network, learn some ways to improve your shop, see a product photography demonstration, and make an awesome craft! On top of that, food and beverages will be provided, and the whole thing is free! Simply register in order to attend. (Don't forget this part.)

Also, to get more information about the event, pop over to the Etsy Team Page and check out the Discussion Thread. And don't foget, if you decide to attend, make best use of this opportunity. Be ready to discuss your shop. Find out the successes and difficulties of fellow shop keepers. And of course, come armed with business cards to trade with other attendees. You don't want to forget all of those cool people you're going to meet (and vice versa).

Studio Tour: White Whale Studios and Gallery

Today we're taking you on a tour of one of Greenville's most unique artist co-op spaces, White Whale Studios and Gallery. Caroline George Lott is the owner of White Whale, a large house-turned-studios located about a mile from The Pendleton Street Art District. We asked her to share the story behind White Whale with our readers.

Indie Craft: When was White Whale founded, and was it always a dream of yours?

Caroline: Our Grand opening was October 2nd, 2009. Being an active part of the local artistic community was always a dream of mine. Owning and operating a studio was something that became a reality when we purchased a historical house in the Monaghan Mill community. We did not want to "ruin" the house by turning it into a multi-family house or just rent it out. We wanted to to have it live on as a place to serve the community.

One of the White Whale artists hard at work in his studio.

Indie Craft: We love that you turned a house into a group of artist studios. How many artists call White Whale home right now?Caroline: We currently have 7 fabulous artists. Most of the artists are full-time professional artists.

Common gallery spaces are located throughout the house.

Indie Craft: This big white house is such a beautiful and inspiring place. Do you know much of its history?Caroline: Yes, it was built circa 1890, even before the textile mill that is right down the street. It started out as a teacher's boarding house, and has been used in many different ways since. Anything from a boxing training facility to a bed and breakfast.

Indie Craft: What is the significance of the White Whale name?Caroline: The studio's name harkens back to Melville's infamous tale of a determined white whale (Moby Dick) outwitting the relentless Captain Ahab, just as the artists, within the walls of this old white house, battle the odds to pursue their work and life's calling.

You can visit White Whale Studios and Gallery during Greenville Open Studios.

The good news is that White Whale does have an available studio at the moment! If you're an artist in need of working space, you can email your portfolio to whitewhalestudios@gmail.com or visit the White Whale site to learn more about their mission in Greenville.

Available studio: 12 ft ceilings and plenty of natural light.

Also, be sure to follow White Whale on Facebook to keep up with their resident artists and find out about upcoming art shows.

Live Art Installation

We have a very fun public art project to share with you today!

In anticipation of their new store opening, Anthropologie has partnered with the Fine Arts Center to create a temporary art installation in downtown Greenville. A team of artists will work alongside high school students from the Fine Arts Center to create a large-scale piece of art and we're all invited to come watch.

This Saturday and Sunday, March 9-10, head to the site of Greenville's new Anthropologie (at the corner of Coffee and Main Streets) to observe as the project takes shape.

A note from Anthropologie:

"The piece will be painted on the barricade currently outside of the Anthropologie store location at 1 North Main Street on the weekend of March 9th and 10th. The 20’ by 8’ painting is designed and conceptualized by the students of the Fine Arts Center and we invite the community to observe as the students, along with the team of artists who will work full-time at the Greenville location, progress from first brush strokes to final touches. The painting will be on view at 1 North Main Street until the store opens at the end of March."

Mark your calendars and head downtown this weekend to see the artists in action. This should be a lot of fun!

New Giveaway! Paper Wreath Kit

You know we love to get people crafting, so why don't you spend part of your weekend working on an awesome project like this paper wreath we're featuring today. You can either make your own from scratch using our instructions, or you could be the lucky person who wins a craft kit all your very own. All you have to do is comment at the end of the post. You'll be automatically entered in a drawing for the craft kit. Here's another project from The Best Craft Party Ever: Paper Wreaths. The coolest thing about this project is it's inspired by crafty maven Mollie Green. This is one of the wreaths she included in her awesome book, Sweet Paper Crafts, published by Chronicle books, releasing in June 2013 (available for pre-order now).

Supplies: · various papers · pencil · scissors · templates · glue stick · glitter (optional) · glue dots · wreath form

The following instructions are specific to the butterfly cutout, but the same instructions apply to any of the templates.

1. Trace templates onto paper.

2. Stack two papers together and cut out the butterflies, keeping each butterfly pair together. Depending on the size of your templates, you will need anywhere from 12-20 butterfly pairs.

3. (Optional step) When you’ve cut out your pairs, apply glitter to the wings of one of the butterflies in the pair.

Pour the included glitter onto one of your large scrap pieces of paper.

Using a glue stick, rub a small amount of glue around the perimeter of the wings.

Gently press the glued portion of the wing into the glitter and tap off the excess. Repeat this step for as many or as few of the butterfly pairs as you like.

4. Adhere the butterfly pairs to the provided wire wreath form: Take a pair of butterflies and apply 3 or 4 glue dots to the body (not the wings) of one butterfly and place it under the wire form, pressing to adhere.

Take the other butterfly body and attach it to the wire directly above the first butterfly, lining up the bodies and the wings.

**NOTE: The glue dots have a double sided adhesive, so the easiest way to transfer them to the butterfly is to take a single dot (with the backing still on) and press the exposed sticky side into the paper. Once secure, peel the backing away, and the glue dot should remain on the butterfly.

5. Continue gluing butterflies to your wreath until you are satisfied with the arrangement. You can go for a full look, or an open, airy feel.

6. Once you’ve finished, bend open the wings of each butterfly for a fuller, more fluttery wreath.

PFor the templates to Mollie's wreaths, check these out: Paper Wreath Templates.

And don't forget to comment below for a chance to win a kit!

Craft Kit tutorial and Giveaway, Part 2

Happy Valentine's Day Everyone! Hope it's a very special day. To celebrate, we're giving away our 2nd of 4 craft kits that were featured at the recent Greatest Craft Party Ever---Today, Handmade Beeswax candles. This craft is quite fun and rather easy. Here are the steps. Don't forget, if you would like to win your very own kit, simply leave a comment below.

Supplies: · 4 8x8 sheets of beeswax · 3 yards of candle wick · scissors –provided by Dritz · small knife · cardboard cutting mat · velvet ribbon · muslin bag

Notes: The instructions are for making a set of 8 taper candles, but feel free to experiment. You can make a large pillar candle, a set of small birthday candles, or any assortment of sizes you like!

1. Take one sheet of 8x8 beeswax, and place it on the cutting mat. Cut it in half, so you have two 4x8 pieces (or cut into any size you’d like for custom candles).

2. Lay the cut piece of beeswax onto your table surface. Unroll a length of wick, and cut a section 1 inch longer than your candle height. (lay it on top of the beeswax to measure, you want it hanging off the top about an inch but flush with the botton edge).

3. With your wick lined up along the 8 inch side of beewax, begin rolling it up. Try to keep it rolled as tight as you can, especially the center with the wick. Roll it into a cylinder form gently. If the wax starts to crack just push it back together and keep rolling.

3. (continued) At the end, gently push and pinch the seam into the candle to seal. If the bottom of the candle is uneven, trim it on the cutting mat.

4. Repeat until you have finished making all your candles!

5. To package up pretty, place candles into a bundle and tie up with velvet ribbon. Slip the bundle into the muslin bag, perfect for safekeeping or gift giving.

6. Before burning, trim the wick. The wax is a little sticky so you can use a glass dish as a candle holder by pressing the candle into the bottom dish and making in stick in place.

S0 simple, so fun! Leave a comment below and win your own kit!

PLEASE NOTE! The craft boxes are available to people within driving distance of Greenville, South Carolina who are willing to pick them up in person. The craft kits are NOT available for shipping.

Craft Kit tutorial and Giveaway, Part 1

We hope you've been checking out all of the pictures of The Makers Summit and The Best Craft Party Ever on various blogs, Facebook, and particularly Instagram under the tag #makerssummit. They're really awesome. If you have been looking, I'm sure you've noticed all of the crafty goodness that took place at the party. Over 100 people spent the evening trying their luck with a new handmade skill. And now...YOU CAN TOO!

Photo courtesy of Paige Maitland

For the next four Tuesdays, we will be sharing tutorials for the crafts made at The Best Craft Party Ever, and one lucky person will actually win a complete craft kit. With the kits, you can make either a terrarium, a leather notebook, a paper wreath, or beeswax candles from start to finish---no need to buy supplies. At the bottom of the post, simply leave a comment, and on Friday we'll choose a winner at random from the selection.

PLEASE NOTE! The craft boxes are available to people within driving distance of Greenville, South Carolina who are willing to pick them up in person. The craft kits are NOT available for shipping.

Today, we'll be sharing the tutorial for our most popular craft kit from the party, the moss terrarium--complete with little houses from Crave Studio.

Supplies: · glass jar with lid · dirt · stones · preserved moss · lichen and twigs · ceramic houses (handmade at Crave Studio) but you could make your own out of polymer clay · plastic gloves for keeping clean · wooden stick to help move & position

Note: The instructions here are just suggestions. Feel free to experiment and create your terrarium any way you’d like!

1. If you’d like to keep your hands clean, put on the plastic gloves.

2. Begin by layering rocks and dirt in the glass jar. You can tilt it sideways to layer at an angle, or build it flat. Mound up some little hills of dirt to create an interesting landscape.

3. Cover the surface with mounds of moss. Try varying sizes and textures. Don’t build your terrarium too high, it’ll look better with some headroom. 1/2 - 2/3 full should be just right.

4. Add in twigs and bits of lichen. You can use the wooden stick to help adjust and position.

5. When you’re satisfied with your terrarium world, add in the ceramic houses (made by Crave Studio), pressing the wire legs into the moss to secure. Put the lid in place, and you’re all done!

Caring for your terrarium: Because your terrarium is made with preserved moss, it needs virtually no care! It doesn’t need water or sunlight, just love.

Now, how easy was that? Just a few supplies, and you'll have a beautiful creation. But, go ahead and take a chance on the giveaway. For just a comment, this could all be yours.

See you soon with the winner!

Guest Tutorial by Shop-Keep (part 2)

Welcome back to the upholstery tutorial from our friends at Shop-Keep!  Last time Mandy Blankenship shared the beginning of her long but rewarding journey to recovering her lovely chevron chair. If you missed part one of the story, please check it out here.

Now to continue...

7) Sewing and Stapling

All your hard work laying out fabric, thinking about which direction the motif should run, and planning how the seams will meet pays off when you begin sewing the pattern pieces together. I began by sewing the decking to the lip fabric, an odd rectangle piece of chevron that has mitered corners. Decking fabric is usually not the same as your pattern fabric but of a similar weight, so choose wisely. Once I joined the grey decking fabric to the lip, I returned to my chair frame to staple them in place. Staple the bottom of the lip to the front bottom of the chair, starting in the center and evenly distributing your fabric over the batting to the right and left, a little bit at a time. Staples should be a couple inches apart–not super close, but not really far apart. When stapling fabric, don't stretch it too tightly, or it will weaken and possibly tear. Finesse it, be gentle but firm. The fabric will go where you tell it to, but don't be harsh with it.

After stapling the fabric to the bottom of the lip, pull the top of the decking fabric underneath the chair back and staple to the chair base, starting at the middle and working your way to either side. Next reach the sides of decking fabric underneath arms and staple them to sides of the chair base. You may need to cut slits near the base of chair arms so that the fabric stays smooth and doesn't fold awkwardly. Use a curved needle and upholstery thread to anchor the decking to the springs below, near where decking fabric is sewn to patterned fabric.

Now it's time to sew the welting. Join 1 1/2 inch wide strips to one another to form one really long strip of fabric the same way you would make bias tape (but ignoring all the double-folding). Then wrap the strip of fabric evenly around cording, place under cording foot on the sewing machine, and sew in place. The cording foot on the industrial machine is so dreamy to use.

To make the arm covers for the Chevron Chair, I placed the welting on top of the center top strip of arm fabric with all the raw edges facing the same direction, then pinned it in place. After pinning, I basted the welting in place to keep it from moving around during sewing. If you omit basting, you MUST remove each needle before it goes under the sewing machine foot. I have broken way too many sewing machine needles by not doing this. Basting the welting in place is really the best method, looks the most tailored, and is how all the couturiers make garments of old. Sew welting to arm top fabric, then sandwich the welting in between the right side of the next piece of arm fabric to be attached, pin and baste; then sew from the side you haven't sewn on yet (this ensures the welting will be evenly placed between layers). Fit arm fabric over chair arms, remembering to smooth the batting. Staple inside arm fabric on top of where you placed the sides of the decking fabric. Before I stapled the outside arms in place, I made sure to place dust cover fabric over the outside arms in order to have a surface on which to place outside arm batting. Staple both in place, fluff batting, then cover with outside arm fabric.

I used cardboard tacking strip to give a nice, sharp edge to the welting and arm fabric that reaches down the side of the chair frame past where the arm ends. Sneak cardboard tacking strip underneath the arm fabric, and carefully staple in place. Staple outside arm fabric underneath chair frame at the sides. Lastly, staple the back of the arm covers to the back of the chair frame.

8) Reuse Old or Cut New Foam

For several decades now foam has replaced traditional stuffing like horsehair in making chairs cushy to sit on. I'm really not a fan of petroleum based products (one of the many reasons I hate polyester), but it's increasingly unavoidable. You can purchase soy foam, but it's only about 20% soy-based with the rest of the mix produced like polyfoam. The healthiest, least toxic chemical-laden option is to use natural latex rubber foam made from the rubber tree. But in terms of cost-effectiveness, reusing your chair's old foam is the winner. Again, if your chair came from a smoker's house or has cat pee on it, look into buying new foam; otherwise reusing the original stuff is the cheapest and greenest option.

I reused all my old foam and batting for the Chevron Chair cushion, arms, and inside back. If you purchase new foam, cut it into the same shapes as the old, using an electric turkey carver. Sounds crazy, but it works. Staple it in place, and cover with batting.

9) Sewing the Deck Cushion

Sewing the deck cushion is just like making the arm covers. Pin and baste welting to the top and bottom pieces first, then sew in place. Reuse your old zipper, if possible, for the middle piece of the cushion cover. Sew the zipper to the middle piece, then pin and baste the middle piece to the top and bottom of cover. Remember to sandwich the welting between right sides of the cushion cover, this time sewing from the side you haven't done yet. With the cushion foam wrapped in batting, stuff it into the new cushion cover and zip closed. You can sew a simple muslin cover to go over the foam and batting first, and then put that inside the upholstery fabric cover, but that is an extra step you may not want to take. I didn't.

10) The Inside Back

Completing the inside back of the chair is one of the easiest parts to do because it requires no sewing. Place chevron fabric right side up (because you marked which direction that was) over inside back foam and batting, making sure the batting looks smooth. Staple in place at top and bottom first (on the backside of the frame), working from the center to the right and left. Distribute taut fabric evenly. Then draw the fabric through the left side and right side and staple the same way. This was when I noticed where all the change from your pockets disappears to over the years. You can reach your hand pretty far back between the decking fabric and inside back fabric.

11) The Outside Back

You're almost done! Staple dust cover fabric over the outside back of the chair frame, the same way you did for the outside arms, and place batting over it. Staple the batting in place and fluff it over the staples. Next, take the remaining welting and staple it, raw edges facing inward, around the outside back of the chair. I stapled welting on the top and sides but not the bottom of the chair back because I wanted the bottom of the chair to look the same on all four sides.

How do you staple the outside back cover of the chair, you ask? You don't. This is where you employ flexible metal tacking strip. It's tricky to use and will definitely bite you, but magically works. Staple the metal tacking strip inside the welting, with claws poking outward at you, but in the center of the chair. You're going to bend these claws toward the welting, grabbing the outside back of the upholstery fabric and enclosing the back of the chair. Bend the claws toward welting with your fingers, then pound completely closed with a rubber mallet.

After finagling the flexible metal tacking strip, the only part of chevron left to staple is the bottom. Work from the center to either side of the bottom of the chair frame like you have before.

12) The Dust Cover

¡Finalmente! You're really almost finished! Carefully turning your chair upside down on a clean surface (you don't want to get the fabric dirty), place dust cover fabric over the bottom of the chair. Tuck raw edges in and staple in place to keep critters out.

13) Reattach Chair Legs

Lastly, importantly, reattach your chair legs by screwing them in place through the dust cover fabric. Dust cover fabric is not super strong and easily tears. But that's ok, because you need to have chair legs go through it. Once the legs are secure, turn your chair over, and sit in it. Revel in a job well done.

You can use these instructions as a supplement to a book about upholstery, such as Furniture Upholstery by Sunset Books. I also HIGHLY recommend taking an upholstery class at your local community college. Hands on experience with a teacher at an affordable price + whatever you spend on fabric and tools you'll keep. Happy upholstering!

Guest Tutorial by Shop-Keep (part 1)

We love living in such a creative community (as we've said a million times). We learn so much from the makers around us...and sometimes we even get to share their talents and experience with you, our followers. Today, I'm pleased to share with you the talents of Joshua and Mandy Blankenship, creators of Shop-Keep. Shop-Keep is a wonderful jack-of-all-trades in the creative scene. The Blankenships both source and craft all manner of creative goods. Whether it's handmade paper cards or refinished vintage furniture, Shop-Keep is your one stop shop for something unique and wonderful.

Mandy has a particular knack for upholstery projects, and she has graciously shared with us the story of how she turned a frumpy old chair into an updated, reupholstered beauty. This is a long story/tutorial, but Mandy has done a great job simply explaining the involved steps of the reupholstering journey. I've always been fascinated with this process, so it's great to have a detailed step-by-step.

So take it away, Mandy!

If you don't like details, maybe reupholstery is not for you. This is not the blog post to tell you how to hot-glue fabric to your dining chairs. I am not that girl. I dream of making things--all kinds of things--and doing it the proper way, the way the professionals do.

When my husband and I starting collecting vintage furniture, we collected more than our fair share of chairs. Often wooden dining chairs, or aluminum Goodform and Steel Case office types; but we couldn't turn down the occasional comfy side chair–envisioning a graphic, modern fabric in place of that dingy corduroy or yucky tweed. Around 30 chairs into our collection, Joshua and I decided it was finally time to sign up for the upholstery class at the local community college. It would cost more than $170 per chair to hire someone to redo them, so we figured it was money well spent even if we decided we hated the process.

The 8 week class turned into 18 weeks, attending extra classes once or twice a week to finish our little preciouses (caveat: we could have finished the chairs in MUCH less than 8 weeks if classes had met more often). Joshua became increasingly frustrated with the detailed parts of the process, but he discovered he's exceptionally adept at tear-down (a tight grip comes in handy). I enjoyed it all but needed some extra help with staple-removing and de-nailing things. We're a good match.

What follows is a rough overview of The Making of The Chevron Chair. Once upon a time it was The Comfortable But Aesthetically Needy Corduroy Chair. To create the Chevron Chair, I made some design decisions like removing the skirt to expose those lovely turned legs. You need basic sewing skills to reupholster furniture. An industrial walking-foot machine and upholstery staple gun with air-compressor are also really necessary. I'm not saying you can't do this on a home sewing machine or with a manual staple gun, but your wits will be tested and your hands will be bruised if you go that route.

SUPPLIES

Claw tool: a forked-end tool used to remove tacks and staples Hammer Pliers Masking tape Rubber mallet (white is best, but you can cover a black one with fabric)/ Curved upholstery needles Straight pins Sewing needle (for basting) Seam ripper Flexible tape measure Yardstick / straightedge Spring twine: also called laidcord, a waxed jute twine used to tie springs together Burlap Fabric shears: sharp scissors used for cutting fabric only Flexible metal tacking strip Cardboard tacking strip Tailor's chalk Dust mask Goggles Leather work gloves Upholstery fabric (common yardage for different chairs) *Foam *Batting Dust cover fabric Cording *Zipper Upholstery weight thread

*Can be reused from old chair upholstery

1) Studying the Chair

This is an essential first step to reupholstering any piece of furniture. Most upholstered chairs have an inside back, an outside back, inside arms, outside arms, deck, lip, and some have wings, welting, and cushions. If you can't identify where all these pieces are, you will not end up with a fully reupholstered chair, and that will be sad. Make a simple diagram of your chair labeling each part. Place masking tape on each section of your chair and label appropriately: inside left arm, outside left arm, inside right arm, outside right arm, etc. Label your chair, left and right, as you face it, not as if you were sitting in it. Do not skip this step, or you will be confused later on.

2) Tear-Down

Remove chair legs, and place your chair on a sturdy surface for the duration of the reupholstery project. Our chair stands were about 2 feet high and large enough to hold each person's piece with a few inches to spare on each side. Deconstruct your chair with care and gusto, wearing a mask, goggles, and work gloves. Old dust, splinters, and pet hair fly during this phase. Remove staples and decorative nails completely, but do not rip or cut the old fabric. You need all the old fabric to use as a pattern for the new. Also save the batting and foam under the old fabric if possible. Throw away damaged, bug-infested, or smelly chair innards. A smoker's chair stuffing will always smell like the smoker who nestled in it. Rip all the seams of the old fabric and separate the various pieces. Double-check to make sure each piece is labeled before you rip the seams. Consider using the <a href="http://en.wikipedia.org/wiki/Nasal_irrigation">neti pot</a> after a tear-down session.

3) Repair Springs, Webbing, and Frame

Some springs are zig-zaggy and others are classically coiled. Every coil is joined by spring twine to create a firm, bouncy base on which to rest your tush. The BEST chairs, we learned, have eight-way hand-tied coils. Our teacher could not say enough good things about eight-way hand-ties. If there is an upholstery hall-of-fame, I wonder if people reminisce about Sir So-And-So's eight-way hand-ties like legends about Helen of Troy's beauty or the Hanging Gardens of Babylon. I hope so.

Make sure your coils are properly tied together with spring twine, that frayed webbing is replaced with new, and that any defects on the wood frame of your chair have been dealt with. Now is the time to completely remove stubborn staples or hammer in broken ones, yank out unnecessary nails or pound ones that are loosely holding the frame together. Make the frame of your chair completely stable and ready to carry the weight of the most robust visiting relative. Once you've repaired all the essentials, lay burlap over bottom and back springs, tuck raw edges under, and staple in place.

4) DO NOT WASH YOUR NEW UPHOLSTERY FABRIC

Learn from my mistakes. I'm used to sewing quilts and garments, and pre-shrinking fabric is a must when you expect to launder anything regularly. Upholstery fabric, however, comes with a sort of protective coat on top, a sheen to repel moisture or food spills. You can, of course, choose a fabric that's not strictly for upholstery, but even those come off the bolt with a finished look. Just remember, you are not going to launder your chair. You will spot-clean it. If you desperately want to pre-shrink the fabric, for goodness sake check the washing instructions for what you bought. Luckily washing the chevron fabric was no big deal, though completely unnecessary. Washing the turquoise fabric for Joshua's chair was a big mistake, as you can see. Fabric.com has wonderful customer service and sent me new fabric at no cost.

5) The Old Upholstery Fabric Is Your Map

Lay out the old fabric on top of the new and use it as a pattern, tracing its shape onto the new fabric with chalk. Make sure that each peace of new fabric you cut faces the same direction, as light will reflect differently on upside-down fabric grain vs. right-side up fabric grain. Decide whether to "railroad" your fabric or leave it vertical, where the straight-of-grain runs vertical (parallel to selvedge edges) and the cross-grain is perpendicular to the straight of grain. Railroading fabric is turning the bolt sideways so that it runs left to right and will shift the motif completely. This works for some patterns and definitely not for others. If you're reupholstering two chairs to match, make note of whether or not you railroad the fabric. You don't want to end up with one vertical plaid and another horizontal plaid. Label each new fabric piece with masking tape to show which direction is up.

Look at the pattern motif of the new fabric, and plan where the pattern repeats will meet at the seams before you trace with chalk. Seam allowances are included in the old fabric piece after you rip out the seams. Notice if that allowance is 1/4 or 1/2 inch and take that into account when deciding where to place seams. My chevron fabric is made of a series of Vs, and I had to think about how those Vs flowed from section to section (from the lip of the chair to the front boxing of deck cushion to the top of deck cushion, etc.). If they can't match perfectly, at least make it look purposeful. I chose to center the chevrons on the lip of the chair first and planned my way up the chair from that point. The top of the chair arms don't match the inside back perfectly but are positioned in a pleasing way. The sides and back just continue the chevron pattern in a way that makes sense. Cut new fabric along traced chalk lines.

Welting, sometimes called piping on garments or smaller projects, is fabric sewn around a cord and used as decorative edging. The Chevron Chair has welting on the deck cushion, down the arms, and around the back of the chair. Fabric used for welting is often cut on the bias, but for my chair I cut 1 1/2 inch strips vertically down the chevron motif so the welting would look kind of like a candy cane. Measure the length of welting on the old fabric to decide how much you need for the new upholstery, or just measure parts on the frame where you think it would look good. Be generous in your measurements. I used less welting with the new fabric than the chair previously had, but I still needed some extra to sew it all together. Use chalk to trace 1 1/2 inch strips as long as you can on the new fabric, and cut along traced lines.

6) Batting Isn't Just for Quilting

Batting is commonly thought of as the fluffy, scrumptious layer between the top and bottom of a quilt, but it's a must for upholstery too. Every place your chair will be covered with fabric, it needs to be covered in foam and/or batting. Any upholstery fabric that rubs agains raw wood will tear over time and ruin all your hard work, plus it's not comfy to sit on. Before fitting sewn fabric over top of chair arms, place batting over arm foam and raw edges of wood, staple it in place, and fluff batting over staples. Fluffing the batting makes sure that you won't see any divots in the fabric after you place it on top of the batting. If your batting is smooth, your fabric will lay smoothly; if your batting is lumpy, your fabric will look lumpy.

To be continued...

Quick Christmas DIY Framing

I picked up this screen printed poster from Dapper Ink earlier this week for a steal ($12 for an 11 x 17" print!), but I needed some real inspiration for how to mount and hang it in my living room. I didn't want to do a traditional frame from the hobby store--I have such a hard time finding one that I like, and anything custom costs an arm and a leg. Not to mention, since this is a seasonal print and will be packed away in less than a month, I wanted to showcase it in an unconventional way. So I went on a hunt through the house, and came up with a framing technique all my own. Although I think this mounted poster turned out really great, this method could work for any holiday paraphernalia you pick up this season (photos, greeting cards, etc.)

What you need:

Poster or holiday print 1/4" thick plywood (or foam core board if you're in a pinch) Washi tape Blade or scisors Double sided foam tape Small eye screw (optional) Nail or frame mounting hardware (optional)

How to do it:

1) Start by measuring your poster, photo, or print. You'll be mounting this onto the plywood. Then measure and cut your plywood. Obviously you want your plywood to be larger than the poster, but if you're wondering how much larger, a good rule of thumb is as follows: Make the plywood 3" larger than the print on the top, right, and left  and 3 1/2" larger on the bottom. Now, I'm lucky enough to have a husband with a table saw, so this wasn't an issue. However, if you don't have a friend or family member with a table or skill saw, this is where the foam core comes in handy. Simply cut it to size with a straight edge and blade.

2) Find a festive print or color of washi tape. Have I ever mentioned how much I love washi tape?? I truly use it for everything...packaging, labeling, and now apparently framing too.

3) Line up the washi tape with the horizontal and vertical edges of the plywood. Carefully roll it to the opposite end (it's fragile) and firmly press to smooth. I liked this method because it kept me from sanding and filling any of the rough edges of the plywood. Trim your edges once you've gone all the way around the plywood and are satisfied with the placement.

4) Adhere the double sided foam tape to the four corners of the back of the print and line up on top the plywood. Press firmly. I like the floating look of the foam tape.

5) To mount on the wall, I screwed in a single eye screw into the center of the back of plywood about 2" from the top. Then I hung it from an existing nail on the wall. But this piece has a large enough presence, I could just lean it against the wall on a table or mantle.

So that's that! Super simple and a really festive way to hang a holiday print.